The title refers to Kandinsky’s book “Point and Line to Plane” – here to the historic antipodes illusionism and constructivist art. In this video, the illusionistic ceiling fresco ‚Triumph of St. Ignatius of Loyola’ (1685) by Andrea Pozzo meets compositions with (broken) crosses (1932) by Sophie Taeuber-Arp. While the hierarchic, centralist painting in the Jesuit church Sant’Ignazio glorifies the holy lord, Taeuber-Arp created multifocal, plane compositions of non-figurative shapes. The only thing the baroque and the modern artworks have in common, is the sign of the cross*. In the animation, the oppositional artistic concepts start a competitive dialog, they influence and penetrate each other. Given the current victory of virtual worlds, this animation reflects the history of illusionism and its assumed overcoming in modernity.
(Attention – this part of the page is still under construction: this links leads to the archive of Myriam Thyes.)
- Concept, Installation and Source.pdf (271 KB).
Shown in the following exhibitions
Baroque Promises and Constructive Doubts
Solo ExhibitionKunstmuseum AhlenAhlenDeutschland02.06.2019 – 11.08.2019